Recognition has to occur before understanding can happen and, in her model, once these two steps have occurred appreciation may or may not follow. Given how important the performance of pain is in comic genres it is crucial to establish a model for analysing how such performances provoke laughter. The audience either gets the joke or it does not though she does also suggest that they may get the joke but withhold appreciation, particularly in a social context.
Perhaps we have experienced something similar — almost certainly we will have experienced being bumped into or falling over. To what extent we find the pain of others funny is subjective but there is a long enough history of comic violence and comic pain at least in Western Society for there to be a level of support for the statement pain is funny. Which has a lot of people being electrocuted, burnt with flame breath, caught in explosions, subject to physical violence for awkwardly hitting on older women Brock, mainly
The pain is accidental and unintended. The Pink Panther films, particularly the later '70s ones.
Recognition So, in terms of comic performance, recognition relies on the firm establishment of a comic frame. Ideally such laughter is a spontaneous reaction; the viewer cannot help but laugh at the antics of the performer. The performers court danger and injury. Responses to physical and visual comedy are more complex, involving what I have termed embodied understanding.
He skates down the middle of a main road and, to avoid being hit, he skates underneath the body of an articulated lorry. A curtain pole that is way too long to fit inside the carriage he's riding, thus sticking out both sides.
Ideally such laughter is a spontaneous reaction; the viewer cannot help but laugh at the antics of the performer. He skates in an ungainly way down a sloping path, narrowly avoiding hitting a bollard. When someone opens a car door just as someone else walks past, hitting them and knocking them off their feet we know that the pain was not intended. This paddle was eventually known in English as a "slapstick," and it became a symbol of that type of highly physical comedy.
Posted by: Gor | on October 2, 2012
See More First Known Use of slapstick , in the meaning defined at sense 1 Keep scrolling for more. The source of the pain is also a key influencer and this needs to be incorporated in to step 3 of the model. The injuries they suffer cause real pain and sometimes they show wounds and bruises to the camera after a stunt.
No Gain - the provocation of laughter in slapstick comedy. Ed, Edd n Eddy:
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