I'm betting I'll be wrestling with that for some time to come Ryan McGee and I will publish a Talking TV podcast about the finale Monday evening, in which we'll discuss these matters once again. When Jesse disconnects the main power to the lab, Walt lets him back in so they can work together. It braided together everything that makes "Breaking Bad" phenomenal and was nearly toxic in its crystalline purity. Probably not, but it was the only thing that was there for him.
The last time these two people saw each other, Walt revealed Jesse's hiding spot to the Nazis and then told him how he'd let Jane die. Walt asserts that he is still in remission. Earlier today, I watched the first two episodes of "Breaking Bad," which reminded me that the rage and resentment that drove Walt for so long were present before he began cooking meth.
In my mind, one day years in the future, Brock is out hiking in the desert and finds it. Without Jesse, and with so much attention paid to structural detail, "Felina" ended up coming off as a bit mechanical and remote. When the show began, Walt was a man who was forgotten, passed by, passed over, mocked, disregarded. Don't get me wrong, I'm glad he got out of his Nazi hell and his exulting screams as he drove away were terrific.
But even in his denouement — as he bled out on the floor of a neo-Nazi meth lab — many viewers still found themselves rooting for him. These sirens weren't going to pass him by, as the earlier ones did. Maybe down the road he becomes a chemistry teacher and settles for a quiet life. At the end of the day, Walt calculates that their yield, while above what they are required to produce, falls short of what he expects.
As Jesse rode off into the night, the sirens Walt heard recalled the ones that wailed so long ago in the pilot. That makes sense, believe me. There is some distance to cover between Walt's confession about Jane and those nods, and I'm not quite sure "Felina" quite had time to cover it. When the show began, Walt was a man who was forgotten, passed by, passed over, mocked, disregarded.
We now know the name of the finale came from the Marty Robbins song "El Paso. Even if financial realities didn't enter into it, I feel as a showrunner that there should be a certain shape and pace to each season, and the really high highs that you try to get to at the end of a season — the big dramatic moments of action and violence, the big operatic moments you're striving for — I don't think would land as hard if you didn't have the moments of quiet that came before them. In the first third of the finale, there were some well-constructed twists and turns; the sequence at the Schwartz house was its own little effective thriller.
Posted by: Yogar | on October 2, 2012
Jesse tells him Jane's death was nobody's fault, but he still misses her. When the show began, Walt was a man who was forgotten, passed by, passed over, mocked, disregarded. There is some distance to cover between Walt's confession about Jane and those nods, and I'm not quite sure "Felina" quite had time to cover it.
Fingers crossed for their upcoming science-fiction projects. Throughout this journey of writing about the show, I've been truly honored by the attention and feedback of everyone who chose to read my work. Anna Gunn Skyler 's voice is heard in the episode, but it is reused audio from the second season episode " Phoenix ".
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