In short, the physicality of sex can be ugly. However, real sex on screen can be a transcendent experience, all the more beautiful for being real.
Had the sex been staged, the power of this intimacy would have been dampened. And — if we can accept real sex is a cinematic turn-off — why is it used at all?
This beginning could seem platonic enough, but soon we see the male prisoners masturbating. Of course, one could also quite reasonably read the sex-act at the end of the film as a shocking publicity stunt, to make an otherwise uninteresting, low-budget film interesting.
We are rendered voyeurs, every bit as much as the guard. Of course, one could also quite reasonably read the sex-act at the end of the film as a shocking publicity stunt, to make an otherwise uninteresting, low-budget film interesting. Photo courtesy of Magnolia Pictures. Indeed, seeing the male body without Hollywood illusion can even seem comic.
A number of other films involving unsimulated sex have not been allowed classification. The real masturbation creates both a sense of reality and even humour as we become estranged from our bodies by the sight of other bodies. There is a strong sense of human intimacy between the prisoners, the guard and us, as the masturbation ceases to be a private act. In short, the physicality of sex can be ugly.
Nymphomaniac is the third film by von Trier to include real sex. Indeed, seeing the male body without Hollywood illusion can even seem comic. The whole film feels at times like an oriental illusion, but the real, penetrative sex by the two actors brings an uncomfortable reality into the film.
Posted by: Tam | on October 2, 2012
Real sex can seem forced, even artificial, as its presence so intentionally deviates from the fictional norm. The erotic love and thirst for extreme experiences between the two characters becomes so extreme that it bridges the separation of the unreal and the real — reality becoming like fiction. Indeed, real sex often breaks the natural flow of fiction, disrupting our enjoyment of two otherwise pleasurable — or so one hopes — activities:
Real sex can seem forced, even artificial, as its presence so intentionally deviates from the fictional norm. In short, the physicality of sex can be ugly.
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Even though masturbation may appear a solitary, self-absorbed experience, it is often an experience about another, thinking, fantasising of someone else, and this aspect of masturbation becomes idealised in this film. This complication is quite fitting, given that The Idiots questions how far simulation can go before it either falls back from reality or becomes a reality.