That's how it works. All of that is understandable.
A small proportion of hypersexualised starlets also make a lot of money out of it, and the rest are cast aside, surplus to requirements. Looking for a new direction, she may simply have ended up taking a wrong one.
It goes to the heart of how women negotiate their place in the world and what impact that has then on other women. The personal story she had to tell is certainly fascinating. In time, inevitably, the pop culture that she moulded became an oppressive norm in itself.
If there was anyone in a position to tell a record company when to back off, Charlotte Church was. Nor is any of that unfortunate history the fault of Charlotte Church, the former classical performer turned pop star turned fey-folky-alt-rock-singer-songwriter who delivered this latest lecture. She alludes to that in passing, saying:
Now she's forged her own style, writes her own songs, controls her image in videos and on CD covers. Now the middle-aged men who ran the industry started telling her: She was tired of being a classical singer and wanted to branch out into pop music, so naturally she was going to come under the wing of different influences; they were the "experts" in her new field, and she may have felt the need to heed their advice.
Her pop records didn't sell. It's the amount of cash you need to amass in order to be able to resist unwelcome pressures. But it's always best to start from an admittance of one's own bad choices.
Posted by: Gotaur | on October 2, 2012
Those middle-aged men don't encourage young women to transform themselves into pliable "sexbots" for their own titillation. It goes to the heart of how women negotiate their place in the world and what impact that has then on other women.
If there was anyone in a position to tell a record company when to back off, Charlotte Church was. No doubt there were various reasons for that.
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