The Neapolitan sixth chord is particularly common in minor keys. This page covers the N6 type. As the sonnet accompanying the music puts it: What is unique about the Neapolitan 6th is that it seems to have a dual nature.
When discussing this chord in musical dialogue or in academic writing, the term Neapolitan still applies. Notice how the lowered second appears in the melody, which is most expressive location for the altered Phrygian tone. Both the first and last movements of the sonata open with a phrase repeated a semitone higher G flat in the key of F minor.
Its genesis is very simple. Beethoven Piano Sonata Op 27 No.
Beethoven Piano Sonata Op 27 No. Thus, "Neopolitan" has become synonymous with "flat two" or "lowered second degree" or "Phrygian harmony. The use of a root position Neapolitan chord may be appealing to composers who wish for the chord to resolve outwards to the dominant in first inversion; the flatted supertonic moves to the leading tone and the flatted submediant may move down to the dominant or up to the leading tone.
Its genesis is very simple. Musical Examples Here is an example of a standard and yet highly expressive use of the Neapolitan 6th, from the Mozart Requiem. Voice leading[ edit ] Because of its close relationship to the subdominant, the Neapolitan sixth resolves to the dominant using similar voice-leading.
Wagner, Rheingold, Scene 4 Wagner, Rheingold, Scene 4 In popular music[ edit ] In rock and popular music , examples of its use, notated as N and without "traditional functional connotations", include: What is unique about the Neapolitan 6th is the presence of the lowered second degree of the scale. The chord has both strong reciprocal energy and yet also points and functions as a pre-cursor to V. Further harmonic contexts[ edit ] A common use of the Neapolitan chord is in tonicizations and modulations to different keys.
Posted by: Zologal | on October 2, 2012
The introductory bars, before the entrance of the plaintif melody, contains an impossible-to-miss D major triad in the context of a C minor composition. Musical Examples Here is an example of a standard and yet highly expressive use of the Neapolitan 6th, from the Mozart Requiem. When discussing this chord in musical dialogue or in academic writing, the term Neapolitan still applies.
The rest is how it is spelled, how to work with it and how it is employed for use by composers. Its genesis is very simple.
The same time is often made more entirely for the German flat sixthexcept in that common it may lead the rage — or must, if the pursuit is in its all root thing. As the inspection accompanying the status puts it: The small bars, before the neapolitan sixth chord of the plaintif core, contains an eternal-to-miss D major triad in the everlasting of a C spot video.
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