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The result is a wholly new conception of this pair of dramatists and of the entire question of the relationship between the Crown and the theater in their time. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. Originally published in Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship.

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Finkelpearl presents new biographical material revealing that Beaumont and Fletcher had good and sufficient reasons to be critical of the court and the king, and he shows that their most important works--especially The Knight of the Burning Pestle, Philaster, A King and No King, and The Maid's Tragedy have such criticism as a central concern. Concentrating on the passions of the royalty and high nobility in a courtly atmosphere, their dramas are now usually seen as epitomizing a decadent turn in theater at the end of the Jacobean period.

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The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in Concentrating on the passions of the royalty and high nobility in a courtly atmosphere, their dramas are now usually seen as epitomizing a decadent turn in theater at the end of the Jacobean period. Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship. Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship.

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Originally published in These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in

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Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in

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Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship. Finkelpearl presents new biographical material revealing that Beaumont and Fletcher had good and sufficient reasons to be critical of the court and the king, and he shows that their most important works--especially The Knight of the Burning Pestle, Philaster, A King and No King, and The Maid's Tragedy have such criticism as a central concern.

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Philip Finkelpearl sets out to change this view by revealing the subtle political challenges contained in the plays and by showing that they criticize rather than exemplify false values. The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.

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Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the "public" and "private" theaters at which these plays were presented and on Jacobean censorship. The result is a wholly new conception of this pair of dramatists and of the entire question of the relationship between the Crown and the theater in their time.

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4 Commentsto Laughes

  1. Nern says:

    The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.

  2. Akinogrel says:

    The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare.

  3. Tejar says:

    The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare. Finkelpearl presents new biographical material revealing that Beaumont and Fletcher had good and sufficient reasons to be critical of the court and the king, and he shows that their most important works--especially The Knight of the Burning Pestle, Philaster, A King and No King, and The Maid's Tragedy have such criticism as a central concern.

  4. Kazigrel says:

    These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. Concentrating on the passions of the royalty and high nobility in a courtly atmosphere, their dramas are now usually seen as epitomizing a decadent turn in theater at the end of the Jacobean period.

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