Methodology Research methods include conducting oral interviews with leaders and members of both groups as well as studying the archival records of Amigas Latinas and Llena; Dr. With its diverse membership that included immigrant, Spanish monolingual first generation Latinas, 2nd generation, English dominant women, married, older closeted women, year new dykes, etc. I think that Llena sought to bring together all these women with a range of needs and interests, but failed to address the different needs of its membership. Amigas Latinas Background As Tracy Baim documents in Out and Proud in Chicago, Chicago in the mid s experienced a proliferation of organizing by queer people of color.
They were shocked and thrilled that despite only word of mouth advertising, over 30 women showed up to their first meeting in November ; subsequent meetings in those early days often drew between 30 to 40 women. Latina Lesbians face discrimination: The Role of Carmelita Tropicana in the Performance Art of Alina Troyano, appraises the imaginative, hilarious, and insightful work of Cuban-American performance artist Alina Troyano better known by her stage name, Carmelita Tropicana , examining the strategies she used code switching, the breaking of heterosexist norms, the development of alter-egos, and more to create a hybrid identity as an artist and performer. Amigas Latinas established itself as a strong and visible organization that advocates for the Latina lesbian, bisexual, transgender and questioning LBTQ community in Chicago.
In the summer of , several years after the demise of LLENA, Evette Cardona and a small group of Latina lesbians decided it was time again to bring together Latina lesbians. Nine percent of the respondents indicated that racism was currently one of the greatest sources of stress in their lives. The Role of Carmelita Tropicana in the Performance Art of Alina Troyano, appraises the imaginative, hilarious, and insightful work of Cuban-American performance artist Alina Troyano better known by her stage name, Carmelita Tropicana , examining the strategies she used code switching, the breaking of heterosexist norms, the development of alter-egos, and more to create a hybrid identity as an artist and performer.
Despite these reservations, the group began to meet regularly at the Puerto Rican Cultural Center and did so for years. August 7, 7: And 31 percent stated that a female partner had threatened to kill them. Both organizations are explored in this project.
We were surprised at the degree to which Latina queers felt discriminated against in the LGBT community and the numbers and nature of the domestic violence experiences. Latina Lesbians Writing the Midwest provides a unique look at a much- neglected component of Latina lesbian writingthat of the Latinas living far from the East and West Coast hubs of both Latino and queer cultures, exploring Latina lesbian literary production in places like Kansas and Nebraska. Amigas Latinas has developed into a not-for-profit organization with over members that has been good at periodically assessing what it offers the community and responding to a changing reality. Through a joint project between Mujeres Latinas en Accion, a Latina advocacy organization, and Amigas Latinas, a support agency for lesbian, bisexual, transgender, queer or questioning Latinas, this study, based on a sample of women, begins to tell us how these women see themselves.
Some suggest that class, political and language issues ultimately were the reasons. In the summer of , several years after the demise of LLENA, Evette Cardona and a small group of Latina lesbians decided it was time again to bring together Latina lesbians. The Contradictory Representations of Female Homoeroticism in Contemporary Spain introduces us to some of Spain's lesbian authors and communicates the difficulties lesbian writers in that country and around the world have had in finding a receptive audience. For example, if some of the women arrived early, they were not allowed into their meeting room, rather they had to wait outside in the cold.
Posted by: Nikoll | on October 2, 2012
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Tortilleras on the Side: Communities and Research I.