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The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music. Such a practice recognizes the complicated ways the local is connected to the global and vice versa and cautions against creating a hierarchy between national and global issues. Another question the book raises is:

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A critical reading of the world calls for the need to examine alternative ways of knowing and teaching about the world: Yet hybrid music is all too often marked -and marketed - under a single racial label. American music and identity.

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These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.

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These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. It also suggests the need to critically examine the pitfalls of forming dichotomies between the local or the national and the global or the center and the periphery.

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It calls for the need to develop curriculum that accounts for transnational formations: Such a practice recognizes the complicated ways the local is connected to the global and vice versa and cautions against creating a hierarchy between national and global issues. It also suggests the need to critically examine the pitfalls of forming dichotomies between the local or the national and the global or the center and the periphery. Another question the book raises is:

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It calls for the need to develop curriculum that accounts for transnational formations: In other words, imagining curriculum in a critical way means decolonizing mainstream knowledge about global societies. The Afro Asian artists discussed in this book splinter the expectations of racial determinism, and through improvisation and composition, articulate new identities and subjectivities in conversation with each other.

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The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music. American music and identity.

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    These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music.

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