Styling varies with each Charleston type from this point. This structure also echoes the cutting contests of jazz music which Ralph Ellison describes in his stories about live jazz music in the s. This style of Charleston has many common names, though the most common are Lindy Charleston, Savoy Charleston, 30s or 40s Charleston and Swing ing Charleston.
Individual dancers often improvise within the structure of the called step, bringing their own personal "flavor". The basic step allows for a vast range of variations and improvisation.
The most valued form of solo 20s Charleston combines choreography with improvisation and creative variations on familiar dance steps. The partner behind holds the front partner's hands at their hip height, and their joined arms swing backwards and forwards as in the basic step. It wasn't until dress hem lines rose toward the end of the thirties that the Charleston is again seen in film.
Faster movements are often contrasted with slower, dragging steps and improvisations. The basic step is for the leader to touch their left foot behind them, but not to shift their weight, on counts 1 and 2, while the follower mirrors the motion by touching their right foot in front of them without shifting weight.
This sort of competition structure is increasingly popular in Lindy Hop communities around the world, providing added challenges for dancers, new types of pleasure for audiences and emphasizing social dancing skills such as improvisation and musicality. Partner Charleston[ edit ] Partner Charleston uses the basic step described above, though stylistic changes over the s, s and s affected the styling, as well as ways of holding a partner.
Both partners then swing their free arms as they would in solo Charleston. In "side-by-side" Charleston partners open out the closed position entirely, so that their only points of connection are at their touching hips, and where the lead's right hand and arm touch the follower's back, and the follower's left hand and arm touch the leader's shoulder and arm.
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The follower's left hand rests on the leader's shoulder or biceps. Both the 20s and Swinging Charleston styles are popular today, though swinging Charleston is more commonly integrated into Lindy Hop dancing.
In the more casual social group context, individual dancers may choose to dance "alone", improvising in response to the music or copying dancers around them. This structure also echoes the cutting contests of jazz music which Ralph Ellison describes in his stories about live jazz music in the s.
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