When the blood does start to flow, Duncan films it mercilessly. They exude humor, doubt, fear, desire, and a multitude of other emotions while on camera.
First, by giving the camera operator a real-world purpose, Duncan strips the medium of any privilege, situating style within the same tense realm as the characters themselves. Comments 0 Found-footage films largely fail because they value gimmick and style over character and theme. We got no time for real-world questions.
Their diverse personalities instantly make an impact: Very few edits interrupt the inherent quiet of each image. The end can come at any moment, a fact proven by the recurring motif of booby traps littering the trail.
Army got no business with my private life. They received special training in reconnaissance techniques, intelligence gathering and survival in the field during clandestine ops.
The shielded intimacy these men feel for each other, which comes splashing out late in the film, is patiently observed by the ever-present MoPic. When they returned with hot, perishable intelligence information, the teams were debriefed thoroughly and the major command then planned and carried out combat operations based on this information. Their diverse personalities instantly make an impact:
The shielded intimacy these men feel for each other, which comes splashing out late in the film, is patiently observed by the ever-present MoPic. Most LRRPs were outstanding volunteer infantrymen and veteran soldiers who usually transferred into a LRRP unit after a full or partial tour with a regular grunt unit. Duncan clearly separates societal stigmas from the contradictory experience brought on by combat. When the blood does start to flow, Duncan films it mercilessly.
Posted by: Masho | on October 2, 2012
Folky guitar notes only adds to the overall wistful tone. Army in a number of Division level commands. They were formed and used mostly in the mid-war period approximately to to obtain more accurate and timely human intelligence HumInt on enemy forces in a unit's Tactical Area of Operations.
For certain missions where contact was likely, they sometimes carried an M machinegun, but this was not standard operating procedure since LRRPs were expected to avoid contact while collecting intelligence information. First, by giving the camera operator a real-world purpose, Duncan strips the medium of any privilege, situating style within the same tense realm as the characters themselves. Yet the constant threat of violence gives each reflective moment an immediacy and inherent terror.
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